a poetry e-zine

 
Featured Poet - Lafayette Wattles

 

After graduating from Spalding University's low-residency MFA program, Lafayette Wattles completed a YA novel, which is currently seeking a home. In the fall of 2007, he began focusing more seriously on his poetry. He has started two YA novels-in-verse and has had some recent success, placing about forty stand-alone adult poems over the past few months in journals such as Word Riot, Thick With Conviction, Segue, Stirring, FRIGG, Big Toe Review, and Boxcar Poetry Review, among others. Lafayette once worked as a Production Assistant on a low-budget movie featuring Amanda Plummer and had the good fortune of playing her dead husband in a scene that was eventually scrapped. His car, however, made it into the movie.
 
Poems by Lafayette Wattles
 

Outside Disney World  

we stayed in that hard-knock resort,
the one that had no running water,
only a pool with dark marks on the side,
as if someone had been bludgeoned to death,
before they filled it,
back when they did have water
(and maybe that's why he'd been bumped off,
stealing the last of it),
and the sun was so hot it burned
even after it had gone
halfway into tomorrow. 

I snuck outside to smoke weed
with a girl I met getting ice
and she gave me herself and I gave her me,
the parts we were willing to part with
to get some of each other,
down by the pool, that
see-you moon watching,
her back on the grass,
breasts glistening silver
each time I'd lift my shoulders,
thrust my hips,
and we smoked again, after,
listened to that couple
howl like wild dogs, caught
them on the balcony, the place had a balcony,
and the man had the woman
right up to the edge,
or she had him, I couldn't tell
because, just as I inhaled deep,
let the smoke in,
I saw the faces, couldn't breathe, 

and she thought I'd lied
about my age, ran off
into the dark with her name.
 

I didn't sleep that night, couldn't
get it out of my head,
couldn't look at them
the rest of the week,
even on that long drive home.

 
(first appeared in Eclectica)
 
 
 
 
 
Death Comes In Smallness

I remember the day recess stopped being
the last preservation of fun. We had
quit playing four-square in the sun
to watch a hawk take something dark
from the field, and the teacher
said it was a mouse, only it was more.
For, until that moment, life had been
this huge thing we were all part of,
but none of us thought about
how small it becomes once it's given a body
or that death comes in smallness, too.
And, as if some greater force needed
to make this clear, sirens called us, then,
to the front of the school, where we found
two men in white loading the ambulance.
Being slaves to the spectacle of the unknown,
we cheered, as they drove away,
unaware that my sister was the mystery,
that she had swollen shut—her eyes, mouth,
throat—from a couldn't even see it
hint of cinnamon, and, to this day, when I see
a hawk circling the sky, searching, searching,
as I have all these years, I pull
to the side of the road, and say goodbye. 
 
(first appeared in Underground Voices)

 

 

Fish Jumping 

You handled the greenest
part of us
as if it might bruise,
while I choked
on a red-hot
jalapeno heart.
 
Those three fat
years of sin, bloated
on the sweetness
of our flesh.
 
Our daughter's birth:
me holding you holding
her, that fiery dragon
clawing my chest.
 
Our one time
camping at the gorge:
you with your water
body; us reliving
the honeymoon lagoon,
the flying fish
like homesick
slivers of moon
 
But now this, casket-
closing time.
You in the dark;
me overcome by the quiet
beauty of things familiar;
my heart, like fish jumping,
silver, moonlit, aglow,
trying to get back to you. 
 
(first appeared in Prick of the Spindle)
 

 

 

About the Heart, Where It Hurts, and How Often 

                                                                        – from "To His Lost Lover" by Simon Armitage 


You were the first to notice,
when you nearly fell
from the roof, sneaking out,
the way he'd wait
until they'd all gone to bed,
turn off the lights, creep
thru the back door
like a burglar
breaking into the vault of midnight
to pinch the moon,
and you were stuck there,
expecting him to light a cigarette
or something, not to lay
in the garden she'd tended
every year for as long as we'd lived
next door, and you told me,
come morning, how you couldn't
get down, how he'd
stayed there hours,
so we hid among the eaves
and watched him
curl, night after night,
at the base of the butterfly bush,
as if he were hoping
the earth would take him back,
as it had her, welcome him as seed,
as mournful promise of bloom,
finger-roots searching
the soil for his heart.

 
 
 
 
 

Everywhere, A Secret Burning 

– from "Oh This Air! Drunk and Restless" by Osip E. Mandelshtam (translated by Kevin Kinsella) 
 

You, you said, meaning me, are in for the time of your life,
meaning your life, really, the way your lips blossomed
beneath the color stick, smile coming alive, like a serpent,
at the thought of me in that dark cabaret in the Village,
late at night, at "the show" you failed to mention
would be unlike anything I'd seen before. Of course,
you also underplayed your excitement over "dressing up"
meant you'd  be wearing stilettos and a skirt.
You were trying to see if I could handle the you you became
every Friday after work, the one you wrote about wanting
to be all the time, but you were the one, big brother, in shock
when Luscious Lola Darling asked for a volunteer
and my hand shot up like some dumb pigeon spooked
from the curb where it had been waiting all these years,
and you had the same face I had when the doctor told me
my secret earlier that day, which is why, when Lola said,
Honey, who are you trying to kid, I thought she could tell
the thing I hadn't told you yet, what the doctor really did say
about why my breasts had grown tender, but not with love;
about my second chance at life, only this one as less me
than before; about how I'd probably lose my hair once
the chemicals burned my veins and how bald was all the rage,
which was why I got on stage, because I thought back
to all the times you told me I'd never know what it was like
to be trapped somewhere between the man you were
and the one you were meant to be, because I felt like, maybe,
I didn't have to feel like a man unmade by all the taking away,
the loss between my legs, which is why I looked to you
to show me how to die and be reborn, the way you were,
day in, day out, you, not you, you again.



 


 

Copyright 2008  Chantarelle's Notebook